Reggae

Reggae is a music genre first developed in Jamaica in the late 1960s. While sometimes used in a broader sense to refer to most types of Jamaican music, the term reggae more properly denotes a particular music style that originated following on the development of ska and rocksteady.
Reggae is based on a rhythmic style characterized by accents on the off-beat, known as the skank. Reggae is normally slower than both ska and rocksteady. Reggae usually accents the second and fourth beat in each bar, with the rhythm guitar also either emphasizing the third beat or holding the chord on the second beat until the fourth is played. It is mainly this "third beat", its speed and the use of complex bass lines that differentiated reggae from rocksteady, although later styles.

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SUBGENRES

Early reggae
Early reggae, sometimes dubbed "skinhead reggae" due to its popularity among the working class subculture in the UK, started in the late 1960s, as the influence of funk music. The characteristic defining early reggae from rock steady is the "bubbling" organ, a percussive style of playing that brought to closer light the eighth-note subdivision within the groove. The guitar "skanks" on the second and fourth note of the bar were more frequently doubled up in recording studios using electronic tape echo effects, thus complementing the double-time feel of the organ bubble. Overall more emphasis was on the groove of the music; the growing trend of recording a "version" on the B-side of a single produced countless instrumentals led by a horn or organ.

Roots reggae
Roots reggae is a spiritual type of music whose lyrics are predominantly in praise of Jah (God). Recurrent lyrical themes include poverty and resistance to government and racial oppression. The creative pinnacle of roots reggae was in the late 1970s. Musically, on the song "Roots, Rock, Reggae" Marley devised a new style of "off beat" music where a bar of six beats is played, with the guitar skanking on the fourth and sixth beat. Although entirely separate from the beats of ska, rock steady, reggae, skank, flyers, rockers and all later styles, this unique beat seems to have been so closely associated with Marley that few others adopted it.

Dub
Dub is a genre of reggae that was pioneered in the early days by studio producers Lee 'Scratch' Perry and King Tubby. It involves extensive remixing of recorded material, and particular emphasis is placed on the drum and bass line.

Rockers
The rockers style was created in the mid-1970s by Sly & Robbie. Rockers is described as a flowing, mechanical, and aggressive style of playing reggae. One article calls the rockers era the "Golden Age of Reggae".

Lovers rock
The lovers rock subgenre originated in South London in the mid-1970s. The lyrics are usually about love. It is similar to rhythm and blues.

Newer styles and spin-offs

Hip hop and rap
Toasting is a style of chanting or talking over the record that was first used by 1960s Jamaican deejays such as U-Roy and Dennis Alcapone. This style greatly influenced Jamaican DJ Kool Herc, who used the style in New York City in the late 1970s to pioneer the hip hop and rap genres. Mixing techniques employed in dub music have also influenced hip hop.

Dancehall
The dancehall genre was developed around 1980, with exponents such as Yellowman, Super Cat and Shabba Ranks. The style was characterized by a deejay singing and rapping or toasting over raw and fast rhythms. Ragga (also known as raggamuffin) and reggae fusion, are subgenres of dancehall where the instrumentation primarily consists of electronic music and sampling. Notable ragga originators include Shinehead and Buju Banton. In February 2009, Dancehall with lyrical content "deemed explicitly sexual and violent" was banned from the airwaves by the Broadcasting Commission of Jamaica.

Raggamuffin
Raggamuffin, usually abbreviated as ragga, is a sub-genre of reggae that is closely related to dancehall and dub. The term raggamuffin is an intentional misspelling of ragamuffin, and the term raggamuffin music describes the music of Jamaica's "ghetto youths". The instrumentation primarily consists of electronic music. Sampling often serves a prominent role as well. As ragga matured, an increasing number of dancehall artists began to appropriate stylistic elements of hip hop music, while ragga music, in turn, influenced more and more hip hop artists. Ragga is now mainly used as a synonym for dancehall reggae or for describing dancehall with a deejay chatting rather than deejaying or singing on top of the riddim.

Reggaeton
Reggaeton is a form of urban music that first became popular with Latin American youths in the early 1990s. Reggaeton's predecessor originated in Panama as reggae en español. After the music's gradual exposure in Puerto Rico, it eventually evolved into reggaeton. It blends West-Indian reggae and dancehall with Latin American genres such as bomba, plena, salsa, merengue, Latin pop, cumbia and bachata, as well as hip hop, contemporary R&B and electronica. Modern reggaeton beats follow the structure of the Dem Bow Riddim, a beat created by Jamaican producers Steely & Clevie in the late 80s and early 90s.

Reggae fusion
Reggae fusion is a mixture of reggae or dancehall with elements of other genres, such as hip-hop, R&B, jazz, rock, drum and bass, punk or polka. Although artists have been mixing reggae with other genres from as early as the early 1970s, it was not until the late 1990s when the term was coined.

Source: Wikipedia, the free encyclopedia & Google